HOME OF THE ARTS OF AIKI
Culture and Information for the Aikido World Community

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IS AIKIDO BECOMING A “KORYU”?
YOJI FUJIMOTO – FROM CHERRIES TO THE PALALIDO
THE RELATIONSHIP BETWEEN YOSEIKAN AND MORIHEI UESHIBA
SAITO SENSEI – THE MAN BEHIND THE TEACHER
THE “FUJIMOTO METHOD”
THE PRACTICE AND ITS RELATIONSHIP WITH “DANGER”
THE USE OF TOUCH IN AIKIDO PRACTICE
BRUCE BOOKMAN ON CROSS-TRAING AND AIKIDO INTEGRITY
HIROO MOCHIZUKI SENSEI, A TEACHER FOR EUROPE
THE NON-VIOLENCE IN AIKIDO
ARRESTED DEVELOPMENT
CHINKON KISHIN NO HO
THE TRAINING CULTURE AT THE AIKIKAI HOMBU DOJO
AIKIDO AND PARENTING
THE “MEDITATION CATS” STORY AND THE “BLIND ALLEYS” IN MARTIAL ARTS
THE TRANSLATOR – INTERVIEW WITH CHRISTOPHER LI

AIKIDO AND OPEN-MINDEDNESS
THE PHENOMENOLOGIST – INTERVIEW WITH ELLIS AMDUR
THE WRESTLER – INTERVIEW WITH RIONNE MCAVOY

SENTA YAMADA: THE “FATHER” OF UK TOMIKI AIKIDO
AIKIDO: FOR AN UNDEFERRABLE SPIRITUAL AWAKENING
AGE OF HEROES 1: THE “FIRST” EUROPEAN AIKIDO DOJO

THE “GREATS” OF AIKIDO AND THE “PADRE PIO SYNDROME”
THE INNOVATOR – INTERVIEW WITH JOHN BAILEY
THIS IS THE WORLD OF AIKIDO

THE POLITICIAN – INTERVIEW WITH KARL LEISINGER
THE PLACE OF AIKIDO IN THE AGE OF ZUMBA AND MMA
THE FEELING OF AIKIDO – INTERVIEW WITH SEIJURO MASUDA
BETWEEN THE WAY OF THE DREAM AND THE DREAM OF THE WAY
KEEP CALM AND LOVE AIKIDO!
WHY AIKIDO IS LOSING ITS POWER OF ATTRACTION
MORIHEI UESHIBA AND AIKIDO – TAKEMUSU AIKI
FIORE DE’ LIBERI AND HIS “FLOS DUELLATORUM“
HIDEO OHBA – THE AIKIDO OF ‘QUIET’ TASTE
MORIHEI UESHIBA AND AIKIDO – “DIVINE TECHNIQUES”
LIVING THE EPIDEMIC LIKE A BUDOKA
HOSOKAWA HIDEKI, MAN AND AIKIDOKA
THE IMPORTANCE OF KIHON IN MARTIAL ARTS
HANMI, MUCH MORE THAN A POSTURE
GOZO SHIODA: TIMING!
YOKOTA YOSHIASHI: “ISSATSU NO SHUNKAN”
MORIHEI UESHIBA AND AIKIDO – RENDEZ-VOUS WITH ADVENTURE (1958)
KIAI AND AIKI – AIKIDO AND THE INDIVISIBLE DIVIDED
SUCK IT UP OR GO HOME – INTERVIEW WITH SIMON GRAY

THE INITIATOR – INTERVIEW WITH MOTOKAGE KAWAMUKAI
UKA (HARU) ONODA, AIKIDO’S SCULPTRESS

THE FORGIVER – INTERVIEW WITH ICHIRO SHISHIYA
THE MARTIALIST – INTERVIEW WITH ANTONINO CERTA
SAINEIKAN ENBU 1941 – THE AIKIDO IMPERIAL DEMONSTRATION

TAKAKO KUNIGOSHI, KOBUKAN DOJO ARTIST AND BUDOKA
THE GREAT OLD MAN – INTERVIEW WITH DANILO CHIERCHINI
I TRAIN ERGO I AM?

KATORI SHINTO RYU – THE ANCIENT SWORD SCHOOL, ITS DIVINE HERITAGE AND ITS JOURNEY TO THE WEST
SALVATORE MERGÈ, THE FIRST WESTERNER STUDENT OF MORIHEI UESHIBA
AIKIDO YOSEIKAN – THE SCHOOL THAT DIDN’T KNOW DOSHU

WHAT IS AIKIDO FOR TODAY?

UESHIBA’S MARTIAL ARTS CAREER BEFORE AIKIDO WAS BORN
THE SAMURAI ARTIST – INTERVIEW WITH TETSURO SHIMAGUCHI
THE RESEARCHER – INTERVIEW WITH LUIGI GARGIULO
NOTES ON THE ORIGIN AND MEANING OF THE AI-KI-DO IDEOGRAMS
BUDO AND THE INHERENT SYMBOLISM
MRS JUDO – KEIKO FUKUDA AND THE LONG PATH TO FEMALE INCLUSION IN BUDO
COMMON ELEMENTS IN JAPANESE BUDO
MINORU MOCHIZUKI – THE MASTER OF THE 20TH CENTURY
THE TWILIGHT OF AIKIKAI GRADES
MORIHIRO UESHIBA, MORIHEI’S FORGOTTEN SUCCESSOR
PAOLO CORALLINI’S TRADITIONAL AIKIDO DOJO
THE STORY OF 10TH DAN IN AIKIDO
THE SWAMP OF AIKIDO TECHNICALISM
HOW THE TERM “AIKIDO” WAS BORN AND WHY
A FEW MORE “POLITICALLY INCORRECT” UESHIBA QUOTES
ABOUT MORIHEI’S LARGE SKIRT AND OTHER TRIFLES
CHIBA SENSEI AND THE SAD FATE OF O’SENSEI’S DOG
“POLITICALLY INCORRECT” UESHIBA QUOTES
MORIHIRO SAITO – A BIOGRAPHY
1942 – “THE TRUE DEMONSTRATION”
DAN GRADES – A SYMBOLIC PERSPECTIVE
INTERVIEW WITH RYUJI SHIRAKAWA SHIHAN
INTERVIEW WITH KANAME ARIGA SHIHAN
TRAINING “TOGETHER” AT THE TIME OF COVID-19
DID KISSHOMARU INVENT MORIHEI’S WORLD HARMONY DREAM?
10 MORE FAMOUS AIKIDO CHALLENGES
10 FAMOUS AIKIDO CHALLENGES
SPIRITUAL TEACHINGS OF AIKIDO

 

JOYS AND SORROWS OF ASOBI IN AIKIDO
THE 1990 MORIHIRO SAITO’S TURIN SPEECH
TRUE TO TRADITION – INTERVIEW WITH HITOHIRA SAITO
GIORGIO VENERI: MY POINT OF VIEW ON TRADITIONAL AIKIDO
FUJIMOTO YOJI SHIHAN IN IRELAND 2001

 

IS EVERYBODY AN INSTRUCTOR?

A NEAPOLITAN IN SWITZERLAND – INTERWIEW WITH MASATOMI IKEDA

AIKIDO OR SQUASH?
AIKIDO AS LIFE’S PICKLOCK
WAKA SENSEI – INTERVISTA A MORITERU UESHIBA
EXAMS IN AIKIDO